Global Music Production Software Market 2024-2028

Description

List of Tables

The music production software market is forecasted to grow by USD 415.45 mn during 2023-2028, accelerating at a CAGR of 7.86% during the forecast period. The report on the music production software market provides a holistic analysis, market size and forecast, trends, growth drivers, and challenges, as well as vendor analysis covering around 25 vendors.

The report offers an up-to-date analysis regarding the current market scenario, the latest trends and drivers, and the overall market environment. The market is driven by rising number of musicians and artists, growing demand for digital audio content, and increasing adoption of DJ software to produce music.

Market Scope
Base Year	2024
End Year	2028
Series Year	2024-2028
Growth Momentum	Accelerate
YOY 2024	6.9%
CAGR	7.86%
Incremental Value	$415.45mn

Technavio's music production software market is segmented as below:

By End-user

Professionals
Non-professionals

By Type

Editing
Mixing
Recording

By Geographical Landscape

North America
Europe
APAC
South America
Middle East and Africa

This study identifies the growing use of AI for music production as one of the prime reasons driving the music production software market growth during the next few years. Also, the rising number of partnerships and product launches in global music production software and the rising popularity of online video streaming services will lead to sizable demand in the market.

The report on the music production software market covers the following areas:

Music production software market sizing
Music production software market forecast
Music production software market industry analysis

The robust vendor analysis is designed to help clients improve their market position, and in line with this, this report provides a detailed analysis of several leading music production software market vendors that include Ableton AG, Acon AS, Acoustica Inc., Adobe Inc., Apple Inc., Avid Technology Inc., Bitwig GmbH, Cockos Inc., GoldWave Inc., Image Line Software NV, iZotope Inc., MAGIX Software GmbH, MOTU Inc., MuTools, NCH SOFTWARE Pty Ltd., Peaksware Holdings LLC, PreSonus Audio Electronics Inc., Reason Studios AB, Serato Ltd., and Yamaha Corp.. Also, the music production software market analysis report includes information on upcoming trends and challenges that will influence market growth. This is to help companies strategize and leverage all forthcoming growth opportunities.

The study was conducted using an objective combination of primary and secondary information including inputs from key participants in the industry. The report contains a comprehensive market and vendor landscape in addition to an analysis of the key vendors.

The publisher presents a detailed picture of the market by the way of study, synthesis, and summation of data from multiple sources by an analysis of key parameters such as profit, pricing, competition, and promotions. It presents various market facets by identifying the key industry influencers. The data presented is comprehensive, reliable, and a result of extensive research - both primary and secondary. The market research reports provide a complete competitive landscape and an in-depth vendor selection methodology and analysis using qualitative and quantitative research to forecast the accurate market growth.

Product Code: IRTNTR40206

1 Executive Summary

1.1 Market overview

2 Market Landscape

2.1 Market ecosystem

3 Market Sizing

3.1 Market definition
3.2 Market segment analysis
3.3 Market size 2023
3.4 Market outlook: Forecast for 2023-2028

4 Historic Market Size

4.1 Global music production software market 2018 - 2022
4.2 End-user Segment Analysis 2018 - 2022
4.3 Type Segment Analysis 2018 - 2022
4.4 Geography Segment Analysis 2018 - 2022
4.5 Country Segment Analysis 2018 - 2022

5 Five Forces Analysis

5.1 Five forces summary
5.2 Bargaining power of buyers
5.3 Bargaining power of suppliers
5.4 Threat of new entrants
5.5 Threat of substitutes
5.6 Threat of rivalry
5.7 Market condition

6 Market Segmentation by End-user

6.1 Market segments
6.2 Comparison by End-user
6.3 Professionals - Market size and forecast 2023-2028
6.4 Non-professionals - Market size and forecast 2023-2028
6.5 Market opportunity by End-user

7 Market Segmentation by Type

7.1 Market segments
7.2 Comparison by Type
7.3 Editing - Market size and forecast 2023-2028
7.4 Mixing - Market size and forecast 2023-2028
7.5 Recording - Market size and forecast 2023-2028
7.6 Market opportunity by Type

8 Customer Landscape

8.1 Customer landscape overview

9 Geographic Landscape

9.1 Geographic segmentation
9.2 Geographic comparison
9.3 North America - Market size and forecast 2023-2028
9.4 Europe - Market size and forecast 2023-2028
9.5 APAC - Market size and forecast 2023-2028
9.6 South America - Market size and forecast 2023-2028
9.7 Middle East and Africa - Market size and forecast 2023-2028
9.8 US - Market size and forecast 2023-2028
9.9 China - Market size and forecast 2023-2028
9.10 Germany - Market size and forecast 2023-2028
9.11 Canada - Market size and forecast 2023-2028
9.12 UK - Market size and forecast 2023-2028
9.13 Market opportunity By Geographical Landscape

10 Drivers, Challenges, and Trends

10.1 Market drivers
10.2 Market challenges
10.3 Impact of drivers and challenges
10.4 Market trends

11 Vendor Landscape

11.1 Overview
11.2 Vendor landscape
11.3 Landscape disruption
11.4 Industry risks

12 Vendor Analysis

12.1 Vendors covered
12.2 Market positioning of vendors
12.3 Ableton AG
12.4 Acon AS
12.5 Acoustica Inc.
12.6 Adobe Inc.
12.7 Apple Inc.
12.8 Avid Technology Inc.
12.9 Bitwig GmbH
12.10 Cockos Inc.
12.11 GoldWave Inc.
12.12 Image Line Software NV
12.13 MAGIX Software GmbH
12.14 Peaksware Holdings LLC
12.15 PreSonus Audio Electronics Inc.
12.16 Reason Studios AB
12.17 Yamaha Corp.

13 Appendix

13.1 Scope of the report
13.2 Inclusions and exclusions checklist
13.3 Currency conversion rates for US$
13.4 Research methodology
13.5 List of abbreviations