PUBLISHER: Acute Market Reports | PRODUCT CODE: 1180732
PUBLISHER: Acute Market Reports | PRODUCT CODE: 1180732
The worldwide market for cinema lenses is expected to develop at a CAGR of approximately 5.5% during the forecast period of 2022 to 2030, with the demand for full frame cinema lenses soaring. Cinema lenses are the optical components that are most widely employed in the design of digital cameras, and they assist photographers in more efficiently capturing photographs. There is a vast selection of cinema lenses, each of which can be differentiated from one another according to the many types of pitches, sensor sizes, and camera mounts. When working on cinematic projects, photographers must need cameras that come equipped with optical lenses that are built in and produce consistent image output. High-resolution video footage is typically shot with video cameras that have a quality equivalent to 4k in today's filmmaking industry. For example, in April of 2020, Canon USA, Inc. debuted the EOS C300 MARK III in their Middle East store. This camera is a next-generation cinema system camera that is capable of shooting in 8k and has a 10x zoom power. Cinema lenses are applied in the manufacturing of advertisements, the creation of videos, and the production of films. Lenses are employed to record continuous motion as well as offer superb video quality for the production of film.
Expansion Of the Media and Entertainment Industry as Well as Technological Advances In Film Lenses
The global media and entertainment sector has been expanding at a rate that is both consistent and rapid all over the world. One of the major factors that is anticipated to drive the demand for various types of cinema lenses over the course of the forecast period is the integration of advanced technology into cinema lenses in order to offer a better theatrical experience for viewers. This is one of the factors that is expected to drive the demand. Cinema lenses, including full frame cine lenses and telephoto lenses, are gaining popularity among end-users in the film industry. In addition, there has been a rise over the years in the degree to which products are commercialised and advertised. This is giving competent cinematographers all across the world an incentive to increase their demand for cinema lenses. During the period of analysis, it is also anticipated that this will lead to an increase in the market share held by cinema lenses. It is anticipated that in the coming years, growth in the global market for cinema lenses will be driven by an increase in the focus of cinema lens makers on the development of products that deliver realistic images and great quality. For example, Canon USA Inc. has created two unique lenses: a wide-angle zoom lens with the designation CN-E20-50mm T2.4 L F/FP and a telephoto zoom lens with the designation CN-E45-135mm T2.4 L F/FP. When combined with 8K cameras, these lenses feature big apertures that contribute to the creation of stunning images that tells a compelling tale. They are designed to capture the cinematic beauty of a scene.
Increase in Demand for Single Vision and Prime Lenses That Are Both Reasonably Priced and Highly Effective
The single vision/prime lenses segment of the global cinema lenses market is separated from the zoom lenses segment on the basis of the product type that each segment offers. Due to the ease with which they can be obtained and the low prices at which they can be purchased, the single vision/prime lenses segment is anticipated to have the greatest share of the global cinema lenses market during the course of the projected year. Instead of having characteristics that are continually changing like camera zoom lenses do, these lenses are built around a predetermined number of parameters that remain the same. This helps to deliver greater quality in both photos and videos. Prime lenses have a fixed focal length, which contributes to the high level of image quality that they provide. As a result, it is projected that there will be a rise in the demand for cine prime lenses around the globe over the period under consideration.
A Rise in Demand for The Natural Looking Pictures Offered by 4K Resolution
The global market for cinema lenses has been divided into several submarkets based on resolution, including 2k, 4k, and others (6k, 8k, etc.). In 2021, the 4k market category held the majority share of the overall market. It is anticipated that the category will continue to hold the leading position in the market throughout the duration of the projection period due to the rise in demand for digital material of a high quality all over the world. In addition, this resolution range is said to be appropriate for digital cinematography, and it is compatible with a variety of smart gadgets. In addition, the increased pixel count of a 4k resolution provides a more accurate depiction of images, along with an increase in the amount of detail that can be seen.
Full Frame Cinema Lenses to Witness Highest Demand
The recent surge in interest in full frame cinema lenses has been a crucial factor in the recent uptick in demand that the industry has experienced as a direct result of this trend. The need for full frame lenses, in particular those designed for use with APS-C cameras, is an important factor that is expected to play a significant role in driving sales of cinema lenses. In addition, a growing interest in full-outline lenses, which are primarily utilised for photographing sports and wildlife, is adding further fuel to the expansion of the industry. There is a progressive uptick in the demand for a variety of cinema lenses, including prime cinema lenses, zoom cinema lenses, film industry cinema lenses, and household cinema lenses, to mention a few.
APAC to Hold the Largest Share
Due to the considerable growth of the media and entertainment industry in Asia Pacific, it is predicted that this region will account for the largest share of the worldwide cinema lenses market during the course of the forecast period. It is projected that an increase in film production in nations like India, China, South Korea, and Japan will fuel demand for cinema lenses in the region during the next few years. The growing interest among younger generations in filmmaking and photography is another factor that is driving up demand for cinema lenses in the Asia Pacific region. It is anticipated that the market for cinema lenses in both North America and Europe would expand significantly in the not-too-distant future. It is projected that an increase in the number of amateur and hobby cinematographers using cinema lenses for documentary filming and vlogging will contribute to an increase in sales of cinema lenses in these regions over the course of the forecast period.
Market Remains Consolidated
The market for cinema lenses is highly consolidated, with only a handful of large-scale vendors controlling the majority of the share worldwide. The vast majority of companies are devoting significant resources to extensive research and development efforts in order to design the ideal lens for cinematography. Key players typically employ important strategies such as expanding their product portfolios and engaging in mergers and acquisitions. The global market for camera lenses is currently dominated by manufacturers who are intent on providing the best lens for cinematic video, which includes cinematic lenses for mobile as well as other items in the same category. The aforementioned companies are major participants in the cinema lenses sector, and in order to increase their penetration across profitable areas, they rely on a mix of organic and inorganic techniques. Product launches, collaborations with important players, partnerships, acquisitions, and the growth of regional and worldwide distribution networks are all included in these strategies. Angenieux, ARRI AG, Canon Inc., Carl-Zeiss AG, DZOFILM Inc., Cooke Optics Ltd, Laowa Lenses (Venus Optics), Leica Camera AG, Samyang Optics, Schneider Optics Inc., Sigma Corporation, Sony Corporation, Shanghai Moki Tech LLC. (Spirit Lab), Kowa Optimed Inc., Angelcare Monitors, Dorel Industries Inc., and Hisense and others.
Historical & Forecast Period
This study report represents analysis of each segment from 2020 to 2030 considering 2021 as the base year. Compounded Annual Growth Rate (CAGR) for each of the respective segments estimated for the forecast period of 2022 to 2030.
The current report comprises of quantitative market estimations for each micro market for every geographical region and qualitative market analysis such as micro and macro environment analysis, market trends, competitive intelligence, segment analysis, porters five force model, top winning strategies, top investment markets, emerging trends and technological analysis, case studies, strategic conclusions and recommendations and other key market insights.
Research Methodology
The complete research study was conducted in three phases, namely: secondary research, primary research, and expert panel review. key data point that enables the estimation of Cinema Lenses market are as follows:
Research and development budgets of manufacturers and government spending
Revenues of key companies in the market segment
Number of end users and consumption volume, price and value.
Geographical revenues generate by countries considered in the report
Micro and macro environment factors that are currently influencing the Cinema Lenses market and their expected impact during the forecast period.
Market forecast was performed through proprietary software that analyzes various qualitative and quantitative factors. Growth rate and CAGR were estimated through intensive secondary and primary research. Data triangulation across various data points provides accuracy across various analyzed market segments in the report. Application of both top down and bottom-up approach for validation of market estimation assures logical, methodical and mathematical consistency of the quantitative data.
Market Segmentation
Product
Single Vision/Prime Lenses
Zoom Lenses
Resolution
2k
4k
Others (6k, 8k, etc.)
Category
Entry-class
Medium-class
High-end-class
End User
Amateur
Professional
Application
Documentary Films
Environmental Films
Animated Films
Short Films
Feature Films
Others
Focal Length
Wide-angle [14-35 mm]
Normal [35-70 mm]
Medium Telephoto [70-135 mm]
Telephoto [>135 mm]
Price
Low
Medium
High
Distribution Channel
Online
Offline
Region Segment (2020-2030; US$ Million)
North America
U.S.
Canada
Rest of North America
UK and European Union
UK
Germany
Spain
Italy
France
Rest of Europe
Asia Pacific
China
Japan
India
Australia
South Korea
Rest of Asia Pacific
Latin America
Brazil
Mexico
Rest of Latin America
Middle East and Africa
GCC
Africa
Rest of Middle East and Africa
Global Impact of Covid-19 Segment (2020-2021; US$ Million )
Pre Covid-19 situation
Post Covid-19 situation
Key questions answered in this report
What are the key micro and macro environmental factors that are impacting the growth of Cinema Lenses market?
What are the key investment pockets with respect to product segments and geographies currently and during the forecast period?
Estimated forecast and market projections up to 2030.
Which segment accounts for the fastest CAGR during the forecast period?
Which market segment holds a larger market share and why?
Are low and middle-income economies investing in the Cinema Lenses market?
Which is the largest regional market for Cinema Lenses market?
What are the market trends and dynamics in emerging markets such as Asia Pacific, Latin America, and Middle East & Africa?
Which are the key trends driving Cinema Lenses market growth?
Who are the key competitors and what are their key strategies to enhance their market presence in the Cinema Lenses market worldwide?